Americans for the arts

Well, here’s what I discovered: Basically, holiday albums have been somewhat merrily immune to the decline in album sales that’s plagued the music industry since iTunes took over. Quite probably, a lot of people purchase holiday albums as low-cost gifts for people they don’t know what to get. Or because sales are driven by the nostalgia and communal values of Christmas: A house without a Christmas album is not a house that comes together for the holidays.

When I produce a track, chorus impact accentuators are always on my mind, especially at the final stage. And while I attempt to challenge myself by trying new methods every now and then, I do have some go-to accentuating techniques that I frequently rely on (and I’m not the only producer who does so). So here are some of the classics.

(more…)

Museum grants 2018

Don’t make the mistake of running a crowdfunding campaign with little or no planning. Take the time to put these 6 things in place, and you’ll succeed.

All of our Mainstage courses come with six weeks of 1-on-1 professional mentorship, guidance and feedback on your work. It’s like having a personal trainer, but for music! Whether you’re interested to dive deep into a topic covered by one of our courses, like Orchestration for Strings, Introduction to the Composer’s Craft, or The Creative Power of Advanced Harmony, or just to work with a Mentor directly to achieve a specific goal, we can help you get there.

(more…)

National endowment for the humanities grant recipients 2018

Unsuk Chin is a South Korean composer now living and working in Berlin. Like her mentor Gyorgy Ligeti, Chin’s incredible technical prowess gives her unique control and precision over her craft. Known for pushing boundaries in October 2017, Chin won the illustrious Wihuri Sibelius Prize, which includes a grant of €150,000, adding her name to a list of composers and former winners that includes Ligeti himself, Stravinsky, Britten, Messiaen, and of course Jean Sibelius. With a seriously impressive portfolio of opera, orchestral, chamber, vocal, solo, and even electronic/electroacoustic work, Chin’s sound world is increasingly broad, challenging, and beautiful.

Let’s say that we ran two of these sine waves simultaneously. We’d find that the total amplitude would be the sum of the two identical sine waves. So far, so good. But what if we were to “flip” the waveform, so that what was a peak is now a trough, and vice versa? What we get is… silence.

(more…)