Grants for black writers

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Brant Wilson is an amateur musician and student based out of Indianapolis, Indiana with a special love for classical music and a goal to learn to play as many instruments as possible.

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Fender store

You’ve just bought a 180-gram audiophile pressing of your favorite album on vinyl. Getting home, you slide it lovingly from the sleeve. As your boutique turntable spins gently, you carefully place the stylus at the record’s edge, settle back on your beanbag with $400 headphones comforting your head, and savor the music just as the artist intended.

At the end of the day, it’s good to understand your intentions for a song as you establish its form. Each type of song section can serve a different purpose. If what you’re working on isn’t sitting right and you can’t find any specific problems with harmony, lyrics, or any of the other components we’ve discussed, it may just be that you need to revisit the overall structure of the song.

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Americans for the arts

Well, here’s what I discovered: Basically, holiday albums have been somewhat merrily immune to the decline in album sales that’s plagued the music industry since iTunes took over. Quite probably, a lot of people purchase holiday albums as low-cost gifts for people they don’t know what to get. Or because sales are driven by the nostalgia and communal values of Christmas: A house without a Christmas album is not a house that comes together for the holidays.

When I produce a track, chorus impact accentuators are always on my mind, especially at the final stage. And while I attempt to challenge myself by trying new methods every now and then, I do have some go-to accentuating techniques that I frequently rely on (and I’m not the only producer who does so). So here are some of the classics.

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Chamber music america residency grant

By the time I was 16, I was making a living as a professional DJ. Over my 16-year career, I touched on many other areas of the music industry, including A&R, bookings, event management, promotion, music curation, and ultimately a seven-year club residency with Pacha Ibiza.

I tend to use a medium-to-fast release setting. I’ve heard a lot of famous mixers say they set the release with the tempo of the song. So they would watch the gain reduction needle and have it release on beat with the song. I  try my best to use this method.

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2020 nea global fellowship

All of our mentored online courses come with six weeks of 1-on-1 professional coaching and feedback on your work. It’s like having a personal trainer, but for music! Share your goals with us and we’ll find a course for you, or create a custom mentorship session with a pro musician, engineer, educator, or music industry veteran to help you achieve them. 

Most likely, you’ll do what everyone else does, which is live with everything being a little out of tune. And if you’re a guitarist, you know that no matter how you tune your guitar, it won’t stay in tune for long anyway, so how much does any of this even matter?

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New rappers

He’s a virtual reality pioneer, a software humanist, a former rock musician and student of classical music. No surprise that Koosha’s current experimental electronic music embraces paradoxes. It’s chaotic, but reveals deep compositional intent. It’s futuristic while feeling nostalgic. It’s kitsch as well as sincerely melancholic. Born in Tehran and now based in London, he courts a vaporwave aesthetic and is firmly in the sonic vanguard of ambient sound. He has a bunch of stuff up on Bandcamp and the latest Stamina is a good place to start.

Sometimes you can find unexpected new meanings by recontextualizing vocals, like when I discovered that Whitney Houston singing the words “I know” from her a cappella to “How Will I Know” sounds great over De La Soul’s “Eye Know.” (Email me if you’re dying to hear this experiment.)

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National endowment for the arts budget 2019

This is why creative residencies are so vital. They take us out of our hot, urban apartments and out of our busy, chore-laden lives. The best residencies for many of us are situated in natural settings that are purely inspirational in and of themselves, much lass as a result of the institutions or art centers hosting us.

Some house show hosts will have to take a percentage of the door cut to cover their costs, but in most situations, it’s the performing artist who ends up with the lion’s share. Playing a big ol’ fancy venue might be an impressive thing for a burgeoning band to brag about, but with all the staff and overhead costs, the bands won’t earn any money unless they’re able to fill it. At a house show, you’re not expected to bring in hundreds — you can even make the gig free to attract more people and ask for donations.

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